{"id":1698,"date":"2013-10-07T17:48:09","date_gmt":"2013-10-07T17:48:09","guid":{"rendered":"http:\/\/indyfilm.oneblaze.com\/?p=1698"},"modified":"2013-10-14T17:45:47","modified_gmt":"2013-10-14T17:45:47","slug":"dayum-jackie-ormes-cartoonist-forwarded-by-lesean","status":"publish","type":"post","link":"https:\/\/indyfilm.oneblaze.com\/?p=1698","title":{"rendered":"DAYUM!!– JACKIE ORMES cartoonist- forwarded by Lesean"},"content":{"rendered":"

This was a post originally by
\n– From ” http:\/\/thighhighs.tumblr.com\/tagged\/women-of-comics<\/a> ”<\/p>\n

But forwarded by Lesean Thomas<\/p>\n

\"j_o-001\"<\/a><\/p>\n

JACKIE ORMES: You\u2019ve probably never heard of Jackie Ormes and that\u2019s a goddamn tragedy. But it\u2019s not surprising\u2014there is no \u201cJackie Ormes Omnibus\u201d available on Amazon.com, no \u201cCollected Patty-Jo \u2018n\u2019 Ginger,\u201d no \u201cEssential Torchy Brown.\u201d She won no awards, can be found in no hall of fame, and is usually treated as \u201can interesting find\u201d by comic historians. She\u2019s become a curio, a funny little facet of history, undiscovered, even, by today\u2019s wave of geek-oriented feminism.<\/p>\n

Jackie Ormes was the first African-American woman cartoonist. Yeah. That\u2019s who we\u2019re ignoring. Her work for the Pittsburgh Courier and the Chicago Defender\u2014both incredibly influential African-American newspapers\u2014was utterly groundbreaking and remains unique, even in the context of modern comics. Her first work, Torchy Brown in Dixie to Harlem, featured the adventures of the titular Torchy, a stylish, intelligent young African-American woman who (feigning illiteracy) boards a whites-only train car to New York City and changes her life. Torchy\u2019s story is a great, irreverent window into the migration of Southern-born African-Americans to the North, a movement that defined 20th-century America\u2014but it is also the story of a girl on her own, living her own life and making her own choices. Torchy was an incredible aspirational figure, the likes of which barley exists in modern comics: an independent, optimistic, fashionable and adventurous black woman. Ormes would later revive Torchy\u2019s story in Torchy in Heartbeats, a strip that introduced international adventure into the heroine\u2019s life. In Heartbeats, Torchy traveled to South America, dated idealistic doctors, battled environmental exploitation and confronted racism at every turn. She was, frankly, awesome.<\/p>\n

Don’t Forget to
\nCheck out the user’s page
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<\/p>\n

And then there was Patty-Jo \u2018n\u2019 Ginger, her most successful and longest-running work. Patty-Jo \u2018n\u2019 Ginger was a single panel gag strip, like Family Circus\u2014an illustration with a caption beneath it. Ginger was a beautiful, stylish young woman always accompanied by her little sister Patty-Jo, a clear-eyed, sardonic kid who spent most strips calling out the bullshit they endured on a daily basis as black women. Ormes\u2019 talents shine through especially well in these little stories: her canny wit, the absolutely gorgeous clothes she drew her women in (seen also in her Torchy Togs paper dolls) and her skillful, succinct way of imparting to the reader just how goddamn stupid our society can be about gender and race. Patty-Jo is never shamed or taken down a peg for being an intelligent, outspoken little girl\u2014in fact, she was made into a highly popular doll that wasn\u2019t an obnoxious Topsy-style stereotype. She preceded Daria, Emily the Strange, Lian Harper, all those wry little girls we celebrate today\u2014and yet, I see her on no t-shirts, can find her in no libraries. Patty-Jo is celebrated only in doll-collecting circles at this point, as the cute little symbol of a bygone age.<\/p>\n

At Jackie Ormes\u2019 height as a cartoonist, her work reached one million people per week. In the 1940s and 1950s, she reached one million people per week. She didn\u2019t just surpass barriers\u2014she leapt merrily over them. She introduced the general populace to a voice that had always existed, but was seldom heard\u2014a voice that is still smothered today. She created African-American women who unapologetically enjoyed glamour, who pioneered their own futures, who refused to keep silent about the walls they found themselves scraping against every day. I haven\u2019t even covered the half of it: Ormes was also an avid doll collector, served on the founding board of directors of the DuSable Museum of African-American history, and was targeted by the McCarthy-led witchhunts of the 1950s. Remember Jackie Ormes. Celebrate Jackie Ormes. Visit The Ormes Society and support the essential work they do. Keep her memory alive so that we may enjoy a million more Torchys and Patty-Jos in our comics\u2014instead of the paltry handful we are offered today.<\/p>\n","protected":false},"excerpt":{"rendered":"

This was a post originally by – From ” http:\/\/thighhighs.tumblr.com\/tagged\/women-of-comics ” But forwarded by Lesean Thomas JACKIE ORMES: You\u2019ve probably never heard of Jackie Ormes and that\u2019s a goddamn tragedy. But it\u2019s not surprising\u2014there is no \u201cJackie Ormes Omnibus\u201d available on Amazon.com, no \u201cCollected Patty-Jo \u2018n\u2019 Ginger,\u201d no \u201cEssential Torchy Brown.\u201d She won no awards, [&hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[569],"tags":[100,19,938,936,937,1141,935],"class_list":["post-1698","post","type-post","status-publish","format-standard","hentry","category-art-2","tag-artist","tag-blaxploitation","tag-cartoonist","tag-female-art","tag-female-cartoonist","tag-intellect","tag-jackie-ormes"],"_links":{"self":[{"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/posts\/1698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1698"}],"version-history":[{"count":1,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/posts\/1698\/revisions"}],"predecessor-version":[{"id":1700,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=\/wp\/v2\/posts\/1698\/revisions\/1700"}],"wp:attachment":[{"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indyfilm.oneblaze.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}